POETICS:
(European
Classical Litreature)
-ARISTOTLE:
INTRODUCTION:
Poetics is a collection of lectures of Aristotle on the
rules or treaties of poetry and drama. This book is a glimpse of critical
thoughts of Aristotle. Poetics is a reply book to “The Republic” written by
Plato. In Poetics Aristotle talks about myth, mimesis (imitation), different
genres and catharsis. According to Aristotle plot is the soul of tragedy and
character is important in tragedy. Dramatist must maintain three unities in the
drama-
1.
Unity for time
2.
Unity of place
3.
Unity for action
ABOUT
THE AUTHOR ARISTOTLE:
Aristotle was born in 384 B.C.in a well to family. His
father was doctor. When he was young, his father died. After the death of his
father his uncle sent him to Athens (capital of Greece) to study at Plato’s
academy. Further he became an associate of Plato. After the death of Plato he
left for Amos to live with Herneias, the adopted father of his wife Pythias. He
became tutor to Alexander, son of King Philip of Macedon, in 342 B.C. Aristotle
was a great thinker, philosopher, researcher, writer and teacher. He composed
Poetics in 335 B.C. he died in 322 B.C.
POETICS
1.
MIMESIS
2. DIFFERENT GENERS
2.1. EPIC
2.2. TRAGEDY
1.
Plot
2.
Character
3.
Thought
4.
Diction
5.
Music
6.
Spectacles
2.3. COMEDY
3. CATHARSIS (EMOTIONAL SATISFACTION)
For
better understanding let us divide Poetics into different chapters as follow-
1st chapter- Different forms of
poetry
1. Sonnet
2. Ode
3. Lyric
4. Elegy
5. Satire
2nd chapter- Matter, manner and
medium of poetry.
3rd chapter- Poetry is art.
4th chapter- Origin and development
of poetry.
5th chapter- History of comedy.
6th chapter- What is tragedy?
7th chapter- Tragedy analysis.
8th chapter- Concept of myths.
9th chapter- Difference between
poetry and history.
10th chapter- Principle of unity.
11th chapter- Fables.
12th chapter- Suffering and
recognition.
13th chapter- Fables construction.
14th chapter- Tragic emotions.
15th chapter- Analysis of tragic
character.
Aristotle’s
Principle of characterisation:
Character are the important for a play. According to
Aristotle good character must posses these qualities which are as follow-
1. Goodness- The first good and
important quality for a character is that they must be sincere in his
performance. If the main protagonist is not possessing virtue, it is not worth
watching or reading. Any speech or action must be supporting moral value. Lack
of goodness in the character can’t give the feeling of sympathy which is the
foundation of the tragedy. It is not important that all character in the play
have to possess these quality but the protagonist must have these qualities.
2. Propriety- Propriety is
another important thing and must be maintain in a play. There is proper
character for man and proper character for a women. A man should be
adventurous, bold, heroic, strong and revengeful to the extend of murder. A
women must be kind, loving, merciful and sacrificing. A dramatist must keep the
sense of propriety in his character while painting a drama.
3. Consistency- There must be
consistency in development of the character. The rise and fall in the action of
character must be consistent. Therefore, the development of character in the
performance must be logical, natural and according to the demand of the story.
4. True to life- characterisation
of the character in a drama must be resembling to be true to life. The
character must possess human weakness and strength. They should not appear
inhuman in their action.
Aristotle’s
poetics:
He composed poetics in 335 B.C. In the opening three
chapters of the poetics he gives brief introduction to poetics form. Poetry is
a mimetic art and mimesis. Fourth chapter presents origin and development of
poetry. Fifth chapter gives a brief history of comedy. From the sixth chapter
Poetics main text begins and their tragedy is defined and analysed. The epic is
compared with tragedy and in eighth chapter (8) there is an explanation of the
concept of mythos. The ninth chapter (9) distinguished poetry and history.
A classification of fables appears next, followed by an
account of peripeteia, suffering and recognition. Then the thirteen chapter shows
the construction of fables. The next chapter (14th) is about
examination of tragic emotions, and 15th chapter is an analysis of
the tragic character. In the 16th chapter various forms of discovery
are taken up. In the next two chapters 17th and 18th
offers a few practical rules. The nineteen examines thought and diction and the
next chapter twentieth chapter is linguistic (language) definition. The two
chapter 21st and 22nd chapter covers poetic diction and
style and in 23rd and 24th chapter nature in the epic. In
the last 25th chapter epic and tragedy are compared.
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